![]() To clarify that statement, if you’re working with a 40 inch umbrella, that area is larger than the subject’s head–and so that entire area will be delivered soft light. Your umbrella should be larger than the area of your subject that you’re photographing. A great starting point is working with an off-camera flash and an umbrella to the side and in between you and your subject. ![]() Soft light can deliver a shadowless look but shadows can also add a specific mood to the scene synonymous to a painterly look. In general, the larger and closer the light source is to your subject, the softer the light will be. To further add to working with a 50mm lens for portrait photography, consider the main light source and its distance from your subject. Soft light can deliver a shadowless look but shadows can also add a specific mood to the scene synonymous to a painterly look.” “In general, the larger and closer the light source is to your subject, the softer the light will be. If you’re specifically photographing a model, you can afford to get closer. The design of a modern 50mm lens like a Canon RF 50mm f1.2 L USM lets you flawlessly photograph around 1/2 to 3/4ths of an average person without getting into a perceptual distortion range. But with a more normal ranged focal length, you’ll need to take a few steps back. The mentality behind working with most wider angle lenses is to get closer to your subject. Though the issue of distortion is mostly solved in either post-production software or within the camera and lens’ peripheral correction algorithms, perceptual distortion is something the laws of physics just can’t get around. How Close Should You Be with a 50mm Lens? Best of all, due to the f1.2 aperture, the lens lets you seriously isolate your portrait subject in a way that only most 85mm lenses can. As one of its biggest advantages, it lets you frame your scene in tighter locations and also keeps you within a closer physical working distance to the subject. At times, an 85mm lens can feel too long, but modern 50mm lenses like a Canon RF 50mm f1.2 L USM can render a look like much of what’s on the market today. Photographers who often reach for 35mm or 28mm lenses can make a great case for using the 50mm lens for portrait photography. If you’re the type to often shoot at 35mm or wider, then a 50mm lens could be ideal for portraiture.
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